Selecting the Right Camera for You To Making Quality Videos

Through time, many people have asked me what type of camera if they buy. It’s never the same answer for everybody. It truly depends on several factors. I had been in their shoes before, so I know what it is like to need someone to point me in the right direction. The Technomono article is for selecting the best vlogging camera that YouTubers use or anyone jumping into the world of movie-making, either professionally or as a pastime and everything in between. It’s for the blogger podcast host, the movie school student and aspiring filmmaker that has a particular movie-making need in your mind. If any of the following descriptions under seem just like you, then read on.

The Blogger Podcast sponsor

Are you a blogger or even a video podcast host having to up your movie excellent game? You do not necessarily need a fancy hi-tech camera. Instead, you simply require a camera that will help you look good.

The Film School or Anti-Film School student

Perhaps you’re coming from film school or even a film and video program defeated that all you learned was the concept.

You want to begin getting paid to create videos. However, you want the proper tools to put your picture and sound over all of the competition on the market.

Let’s get into the key instrument: The Camera.

Not All Cameras are Equal

When a camera manufacturer sets out to design a camera, there’s a very clear purpose and user in mind. You might be thinking, “A camera is a camera ” Not really. There are four basic different categories of video cameras out there.

Consumer Camcorders

When you’re getting started making videos and you might not have that experience under your belt, so it’s hard to know which kind of camera will suit you. It is difficult to understand which type of camera excels at which particular purpose or which camera is suitable to utilize under which circumstance. It’s difficult to understand why you would even wish to receive one style of camera poetry another?

The Right Tool for the Right Job

In one sense, you can virtually use any camera to get any situations. However, that does not mean that you ought to. For example, if you’re a house painter and you had been hired to paint the outside of a huge mansion. You would not simply use a little brush to paint the whole property. You would use rollers or any kind of spraying device.

The same applies to the world of video cameras. Video and filmmakers find themselves needing to take in many sorts of scenarios. Just know that there are reasons why specific cameras have been designed with specific specifications. Camera manufacturers typically look cameras based on consumer feedback and common video shooting situations. This also does not mean that you should set out to buy 3 or 4 cameras. You probably can just manage one camera and you only want one camera anyhow.

One thing is for certain, it all starts with the camera. There are many choices when it comes to cameras. New versions of cameras are coming out every couple of months. The price ranges can vary vastly. The fact is, every camera has its strengths and weaknesses.

If you’re just starting you may not understand what will be the weak or strong points of each type of camera. A friend might have told you”Hey, you HAVE to buy a DSLR to shoot your videos.” Your friend may not have clarified what the downsides are. Worse yet if you mainly have to create multiple hour-long web assignments, the last thing you need is your DSLR. The highly recommended DSLR may end up being the completely wrong tool for your needs.

A manufacturer was telling me they had a shoot that took a camera which could make stunning pictures, but they had to shoot all day where they would capture tons of footage. What they had was a massive sensor camcorder that could record for lengthy periods. The manufacturer explained the videographer they worked with brought a camera that has notoriously enormous video file sizes and short record times. It slowed down them to off load much footage onto a notebook, constantly putting a stop to their shooting program. Which also slowed the shooter down when it came to constantly shift setups. The camera did, in the end, produce stunning graphics but at the cost of being inefficient.

I’ve been in this situation as well as the person who brought the incorrect camera for the job. It is not just cost me time, energy and money, it adversely impacted the whole shoot experience and also the connection with the customer. My point is that there IS such a thing as having the right tool for the right job. Besides gaining experience, how else can you make educated decisions about an approaching camera purchase?

How do you determine which sort of camera you want?

This is my opinion on what one needs to consider.

  • Identify what you mainly take. What do you will need a camera?
  • Identify your financial plan. Anticipate additional costs for media and other accessories.
  • Select the best camera which fulfils as many of your criteria as possible.
  • Pick the perfect audio option based on your camera choice. It might be a combination of mic plus a recorder or even a mixer.
  • Choose the right tripod based on your camera choice. The weight of your camera dictates the size of your tripod.
  • Choose to light if you need it. This is mainly according to your shooting needs.

Beginning in this order will allow you to narrow down the camera and all necessary supplemental equipment. Again, it starts with your pick of camera. From then on the audio/mics, tripod and to some degree the lighting will be educated by your choice of camera.

Given the nature of engineering and new products refreshing every year, I suggest, whatever camera you decide upon, you need to plan to use it for at least two decades or more.

Also, you should determine what’s a want versus a need. Buying electronic gadgets is psychological. Discern the emotional wants versus actual wants and meet halfway. You do not want to be stuck using a camera which only fulfils your requirements but not a future appetite.

Example 1: You receive an inexpensive camcorder for shooting your kid’s soccer games but your goal is to produce beautiful cinematic films to enter into film festivals in the future. The cheap camcorder works for your requirements but you don’t have the right camera to deliver your goals into fruition.

Example 2: The reverse of illustration one. You obtain a fancy DSLR, but you need a pocket. The next thing you know, you’re dropping extra money on additional lenses and other accessories just to get the DSLR to make movies. If you first got the camera, you’d be prepared to begin shooting from the box.

Now let us get more specific about getting started making skilled quality movies.

Strategies for Getting Started:

  • Gain experience, while it’s shooting video or editing.
  • Learn the workflow of shooting video, ingesting footage, exporting and editing the last video.
  • Learn the camera indoors out until it’s second nature for you. When you learn one cameras’ menu and controls layout, it will be a lot easier to learn the remainder.
  • “ABSE” Always Be Shooting and Editing. Could you do it for pleasure?
  • Discover the art of storytelling. This mostly comes out of editing.
  • Understand the lingo: Aperture, Exposure, Shutter Speed, Zebras, ISO or Gain. The more you watch and dissect, the more you understand about light shooting and editing. If the telephone is all you have that is fine too. The smartphone is still proving to be an impressive evolving tool.
  • Getting Started as a Professional Video Maker.
  • Construct your Demo Reel ASAP
  • Take for fun and shoot for the love of it. Do your best not to consider making money with it at first. Get excellent at the craft at which shooting and setting up lighting to get a variety of scenarios becomes second nature.
  • Customers are more important than equipment. Find clients and volunteer to do free work for organizations and causes you believe in.
  • Just start somewhere. That’s the secret. Cameras are affordable and it is the primary tool for the craft so start there. If you want to do it professionally, you need to get a camera and find out the workflow. No excuses.
  • Get some other necessities such as tripods, extra batteries, a slider, to improve the overall quality.
  • Most Notably: Appreciate the opportunity to make any video. That appreciation will cause a greater joy and sense of fulfilment. This becomes particularly important once you get into video production professionally.

Conclusion

Lastly, do not become overwhelmed or over believe it. Do not get caught up with the mindset of”I will never need a camera because I only want to guide, so I’ll just hire a camera guy.” Truthfully with YouTube being the 2nd biggest search engine on the planet, learning to make your video will be a desirable skill set for quite a while. Just determine you will begin making movies, choose a camera and go for it.

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